After Joshua Reynolds (British, 1723-1792)

Portrait of Ann Barnardiston (Mrs. Thomas Whetham)
oil on canvas
inscribed Sir J. Reynolds (lower right); erroneously titled Mary Barnardiston (lower left)
30 x 25 inches.

Property from a Private Collector, Lincolnwood, Illinois

Provenance:

Descended through sitter's family by way of her uncle (possibly)

Hollis & Webb, Cusworth Hall, Doncaster, UK, Battie-Wrightson sale, 16 October 1952, Lot 768 (possibly)

Literature:

E.K. Waterhouse, "Reynold's Sitter Book for 1755," Walpole Society, xli, 1966-68, p. 142 (possibly)

D. Mannings, Sir Joshua Reynolds: A Complete Catalogue of His Paintings, New Haven and London, 2000, pp. 198; 469-470, cat. no. 1871 (possibly)

Note:

Although this painting is inscribed with the name Mary Barnardiston, this portrait depicts her married sister, Ann (1729-d. before 1786). The portrait of Ann (titled Mrs. Thomas Whetham in Reynold's 1755 ledger) was painted in 1756 by the artist, along with a portrait of her sister, Mary (1730-1760). The original portrait of Ann Barnardiston was sold in 1883 to the Victoria & Albert Museum, London. Interestingly, on the V&A's website, the sitter is misidentified as Mary Barnardiston.

In 1762-63, the Barnardiston family ordered a copy of Ann's portrait from Reynold's studio. The copy of Anne and the original portrait of Mary descended through their family by way of their uncle, and were sold together by the auctioneers Hollis & Webb on October 16, 1952. According to David Manning's catalogue raisonné of Reynold's paintings, the copy of Ann's portrait is listed as untraced. The present work may very well be the untraced studio copy of Ann that was sold in 1952.

The present lot's stretcher bears a label marked C.E. Clifford/ Picture Restorer/ Successor to Mr. E. Façon Watson/ Carver, Gilder, Printseller, and Artists’ Colourman/ to the Royal and Imperial Families of/ England, France, Germany, Austria, Spain, and Brazil/ The St. James Gallery of Art/ 30, Piccadilly, London, W. Charles Edward Clifford (circa 1823-1903) commenced trading as an artists’ colourman in 1848 and used this label from 1877 through 1887.

Frame: 35 1/2 x 30 5/8 inches.
Work has been relined but appears in stable, attractive condition otherwise. Some very light surface dirt consistent with age. Examination under UV light shows small specks of overpainting to figures left cheek and a larger area at lower right above signature. Some additional small overpainting to areas of old craquelure and a small speck above figure's sleeve. The title misidentifying the sitter and the "Sir J. Reynolds" inscription lower-right are later. Additional images available upon request. No other additional provenance information available/uncertain where current owner obtained work, however, they were actively involved in the antiques trade and did most of their buying in the second half of the 20th century.

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European Furniture & Decorative Arts

After Joshua Reynolds (British, 1723-1792)

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