Sale 1189
| Cincinnati
| Cincinnati
Estimate$8,000 – $12,000
Provenance:
Blondeel-DeRoyan, Paris;
Acquired from the above by Charles Evans, 2002
Sotheby's, New York, Important Design, 7 June 2016, Lot 64
Literature:
Susan Day, Art Deco and Modernist Carpets, London, Chronicle Books, 2002, p. 43, no. 46
Françoise Siriex, Le Tapis Européen de 1900 à Nos Jours, Paris, Monelle Hayot, 2013, pp. 102-103
In overall fairly good and stable condition. Having a thick, mostly even pile throughout. With spots from soil throughout; needs cleaning. Few scattered small tears in the ground, not immediately noticeable. Few minor frays to the pile. Some minor instances of re-weave. Additional images available upon request.
The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.
The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.
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Leah Vogelpohl
AVP, Specialist, American Furniture, Folk, and Decorative Arts
Ms. Vogelpohl joined the firm in 2013 as a cataloger in the American and European Furniture and Decorative Arts department. She became a department specialist in 2017, focusing on American decorative arts and silver. She received a BA from the College of Charleston and an MLITT in Art History from the University of Glasgow.