Max Ernst

(German, 1891-1976)

Portrait d'un Ami, 1968

mixed media collage on card

signed Max Ernst and inscribed (lower center)

12 1/4 x 8 3/4 inches.

Provenance:

Gifted from the Artist to Claire and Césare Peverelli, Paris

Galerie Boulakia, Paris

Private Collection, acquired from the above in 2008

Sold: Christie's, November 6, 2014, Lot 186

Private collection, Japan

Private collection, Japan, acquired from the above

Sold: Sotheby's, November 15, 2017, Lot 346

Acquired at the above sale by the present owner

Exhibited:

Berlin, Germany, Galerie Brusberg, Zeitsprung - das große Finale, January 31 - March 29, 2008

Cologne, Germany, Galerie Boisserée, Max Ernst, Skupturen, Arbeiten auf Papier, Radierungen und Lithographien, September - November 2013, no. 14, illus.

Literature:

W. Spies, S. & G. Metken & J. Pech, Max Ernst Oeuvre-Katalog, Vol. VII, Werke 1964-1969, Cologne, Germany, 2007, no. 4391, illus. p. 275

The sheet is hinged at two points along the upper edge (verso). The sheet undulates slightly. There is a light diagonal surface scratch towards the lower edge. The sheet has yellowed slightly with one or two small foxing spots. Toning from adhesive haloing collage elements. Otherwise in good and stable condition.

Framed: 16 1/2 x 13 inches.

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[email protected]312.600.6069

Mr. Wirsum joined the firm in 2007 as a Fine Art registrar and became a department specialist in 2013, with a focus on Post War and Contemporary art. Through his vision, the department has achieved record breaking prices. Mr. Wirsum evaluates and appraises well over 5,000 works of art each year, collaborating with leading international committees and experts on authentication. Prior to joining Freeman's, Mr. Wirsum served as an assistant director and conservator at the Chicago Conservation Center. He received a BFA from the School of the Art Institute of Chicago and is a practicing painter with gallery representation.

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Mr. Cator brings years of deep and wide-ranging art industry experience to his role. Prior to joining Freeman's, he operated his own art advisory firm where he worked with new and seasoned collectors to build customized art collections. He previously worked for David Zwirner for nearly seven years, where he spearheaded a robust annual rollout of key client development and marketing initiatives in the United States and internationally in London, Paris, and Hong Kong. Cator was an early member of the gallery’s marketing department, supporting the needs of both the gallery’s distinguished stable of artists and global client base.
Before his role at Zwirner, Cator held a number of curatorial research positions, including at the Whitney Museum of American Art where he worked under Senior Curator of Painting and Sculpture Barbara Haskell, as well as at the Museum of Modern Art under Roxana Marcoci, the David Dechman Senior Curator of Photography.
Cator holds a bachelor’s degree in Art History and Political Science from Santa Clara University. He also pursued graduate studies in Art History at Hunter College and The Graduate Center, City University of New York, with a concentration on social documentary and contemporary photography.

Modern & Contemporary Art

Portrait d'un Ami, 1968

Modern & Contemporary Art

Portrait d'un Ami, 1968

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