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Western and Contemporary Native American Art
|
- Sale 1331
Live
| Denver
May 9 | 10:00 AM MDT
Live
| Denver
Sale 1331
| Denver
| Denver
Estimate$1,500 – $2,500
American painter Joellyn T. Duesberry (1944-2016) used the landscape, both rural and urban, as her muse. Born and raised in Virginia, Duesberry studied fine art at Smith College, graduating Phi Beta Kappa with honors, and went on to earn her MFA at the New York University of Fine Art.
The first half of her career was spent in the East painting everything from gritty cityscapes to jewel-toned landscapes. In the city, she attended evening drawing session, often painting and drawing one of her favorite models, the young singer and dancer who went by the name “Madonna.”
A key turning point in Duesberry’s career came in 1986 when she won a National Endowment for the Arts grant that enabled her to study with Richard Diebenkorn. The week she spent working with him prompted her to leave New York City and move to Colorado. Of her work, Diebenkorn remarked that it was landscape masquerading as abstraction or, perhaps, abstraction masquerading as landscape. And so, midcareer, she embraced the sculptural, geometric spaces of the West.
Duesberry’s work can be found in more than 80 public collections including the Denver Art Museum, the Smithsonian, the Phoenix Museum of Art, the Metropolitan Museum of Art, the Colorado Springs Fine Art Museum, and Yale University. She had more than 50 solo exhibitions in her lifetime, won numerous awards, honors, residencies, and major grants. The monograph “Elevated Perspective, the Paintings of Joellyn Duesberry,” was published in cooperation with the Colorado Springs Fine Art Center to accompany a major retrospective, in 2011. For more information about Duesberry, please visit https://www.joellynduesberry.com/.
Overall good, stable condition; no detected craquelure, losses or damage. Framed dimensions: 37 1/2 x 37 1/2 inches
Please contact the Western Art department at [email protected] for any additional information or questions you may have regarding this lot. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or free from wear, imperfections or evidence of aging. All lots are sold “AS IS”. Any condition statement is given as a courtesy to the client, is an opinion and should not be treated as a statement of fact. Hindman Auctions shall have no responsibility for any error or omission.
The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.
The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.
Please email [email protected] for any additional information or questions you may have regarding this lot.
To request further details about this lot, please email [email protected]
Alexandria Dreas
Specialist, Head of Sale, Western and Contemporary Native American Art
