Abraham P. Hankins

(American, 1903-1963)

Standing Woman; together with Seascape (Two Works)

Each a color stenciled print

The one signed 'A P Hankins' bottom center left; also inscribed '130 S 17 St Phila. P.a.' bottom left margin; the other signed 'A P Hankins' bottom center left

ONE Image size: 8 3/8 x 6 1/4 in. (21.3 x 15.9cm); Sheet size: 11 5/8 x 8 5/8 in. (29.5 x 21.9cm) TWO, image size: 7 1/8 x 9 7/8 in. (18.1 x 25.1cm) / Sheet size: 10 15/16 x 13 15/16 in. (27.8 x 35.4cm)

The Collection of Dr. Richard J. and Eva Wattenmaker, Pennsylvania

This lot is located in Philadelphia.

ONE:
The sheet is taped to the verso of the mat up top via old brown tape. The sheet is gently toned on the front, with severe mat staining around the image. The verso of the sheet is extremely toned. With minor creases verso (bottom right corner for example), which don't transfer to the front. With minor surface soiling in the margin at bottom right (covered by the mat when the piece is framed). Old thumb print at center left in the margin (also covered by the mat). Inscribed with '130 S 17st St Phila Pa' in the margin bottom left (also covered by the mat). Otherwise no sign of restoration, repair, loss or inpainting.

TWO:
The sheet is affixed to the undermat via two pieces of white paper mesh at upper left and upper right. With remnants of old corner mounting strips (and old brown tape) at each corner. Also an old strop of white linen tape running along the top edge of the upper edge of the sheet. Slightly abraded corner at upper left (most likely from the old mounting device). Prickly dots along the top outer edge margin (covered by the mart when the work is framed). The sheet itself is quite toned, with severe mat staining around the image. Some evidence of surface soiling, as well as paint remnants in the margins (all covered by the mat when the work is framed).
Frame: 13 3/4 x 11 5/8 x 3/4 in.

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Please contact the Auction Specialist for details.

Raphaël Chatroux

VP, Head of Department, Impressionist & Modern Art

[email protected]267.414.1253

Raphaël Chatroux is the Head of Department for Freeman's Impressionist & Modern Art.

Chatroux joined Freeman’s in 2016 as a Fine Art department intern. Later that year, he was the Samuel M. Freeman II Fellowship recipient and was promoted to cataloguer. Since his arrival, he has developed an expertise for a wide range of American and European art. He worked closely with Chairman Alasdair Nichol on the successful sales of The Collections of Heidi Bigham Stott in 2020 and The Peltz Collection of Pennsylvania Impressionists in 2021. Chatroux is associated with recent world records obtained for artists Cecilia Beaux, Emma Fordyce McRae, and Bo Bartlett. He was also instrumental in the acquisition of a Berthe Morisot oil painting by the Musée Marmottan Monet in Paris. As a native of France, Chatroux has worked in various art centers in Paris including Hôtel Drouot, where he oversaw auctions of fine wine and good spirits and the Palace of Versailles, where he conceived and curated several bilingual audio-guide tours. Chatroux graduated from Paris-Sorbonne University with a degree in art history; he also holds a master’s degree in art law.

Lynda Cain

VP, Head of Department, American Furniture, Folk and Decorative Arts

[email protected]267.414.1237

Lynda Cain serves as a Vice President of Freeman's and is the Head of Department for American Furniture, Folk and Decorative Arts.
She specializes in American furniture and decorative arts, Native American art, American folk art, and Pennsylvania furniture and decorative arts.
Cain joined Freeman's in 2001 as the company's first American furniture and decorative arts specialist. She began her career in American Decorative Arts as assistant curator at the Detroit Historical Museum. In 1984 she became curator of costume at the Detroit Historical Museum. In 1986, she relocated to Cambridge, Massachusetts and switched from museum work when she joined the American Furniture and Decorative Art Department at Skinner Inc., Bolton and Boston, Massachusetts. Before leaving New England in 1997, she had the great pleasure of directing the cataloguing project of the Folk Art Collection of Nine Fletcher and Bertram K. Little at Cogswell’s Grant, Essex, Massachusetts for the Society of the Preservation of New England Antiquities, now Historic New England. Ms. Cain joined the cast of the popular PBS series Antiques Roadshow in Season 19.
Growing up in Grosse Pointe, Michigan, she was greatly influenced by the rich collections of American paintings, furniture, and decorative arts held by Greenfield Village and the Henry Ford Museum. She notes her good fortune of working in our two great “attic states:” Massachusetts and Pennsylvania. Each Commonwealth has tremendous inventory of historic material, great institutions, and citizens who treasure their inherited and collected items. Cain appears on the television Antiques Roadshow as an appraiser of decorative and folk arts.

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Please email [email protected] for any additional information or questions you may have regarding this lot.

For the Love of Barnes: The Collection of Dr. Richard J. Wattenmaker

Standing Woman; together with Seascape (Two Works)

For the Love of Barnes: The Collection of Dr. Richard J. Wattenmaker

Standing Woman; together with Seascape (Two Works)

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