Alexis Gritchenko

(Ukrainian, 1883-1977)

Figure with White Cap

oil on card

signed 'A Gritchenko' bottom left; also initialed and dated 'A.G./21' bottom right

Sheet size: 12 3/8 x 9 9/16 in. (31.4 x 24.3cm)

The Collection of Dr. Richard J. and Eva Wattenmaker, Pennsylvania

This lot is located in Philadelphia.

The work was originally hinged, via four pieces of white linen tape on all corners, to the inner lips of the frame. In order to inspect it fully, it was decided to cut off the hinges and replace them with new ones. The sheet appears flat and presents well. We notice a loss at the upper left corner, where the ground of the card shows through. With a minor diagonal tear (which could be the gouache build-up cracking) at bottom center right, along the bottom outer edge. Remnants of old pinholes in each four corner. Examination under UV light does not reveal any inpainting. See Specialist's pictures for more details.
Framed: 14 1/2 x 11 3/4 x 3/4 in.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

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Please contact the Auction Specialist for details.

Raphaël Chatroux

VP, Head of Department, Impressionist & Modern Art

[email protected]267.414.1253

Raphaël Chatroux is the Head of Department for Freeman's Impressionist & Modern Art.

Chatroux joined Freeman’s in 2016 as a Fine Art department intern. Later that year, he was the Samuel M. Freeman II Fellowship recipient and was promoted to cataloguer. Since his arrival, he has developed an expertise for a wide range of American and European art. He worked closely with Chairman Alasdair Nichol on the successful sales of The Collections of Heidi Bigham Stott in 2020 and The Peltz Collection of Pennsylvania Impressionists in 2021. Chatroux is associated with recent world records obtained for artists Cecilia Beaux, Emma Fordyce McRae, and Bo Bartlett. He was also instrumental in the acquisition of a Berthe Morisot oil painting by the Musée Marmottan Monet in Paris. As a native of France, Chatroux has worked in various art centers in Paris including Hôtel Drouot, where he oversaw auctions of fine wine and good spirits and the Palace of Versailles, where he conceived and curated several bilingual audio-guide tours. Chatroux graduated from Paris-Sorbonne University with a degree in art history; he also holds a master’s degree in art law.

Lynda Cain

VP, Head of Department, American Furniture, Folk and Decorative Arts

[email protected]267.414.1237

Lynda Cain serves as a Vice President of Freeman's and is the Head of Department for American Furniture, Folk and Decorative Arts.
She specializes in American furniture and decorative arts, Native American art, American folk art, and Pennsylvania furniture and decorative arts.
Cain joined Freeman's in 2001 as the company's first American furniture and decorative arts specialist. She began her career in American Decorative Arts as assistant curator at the Detroit Historical Museum. In 1984 she became curator of costume at the Detroit Historical Museum. In 1986, she relocated to Cambridge, Massachusetts and switched from museum work when she joined the American Furniture and Decorative Art Department at Skinner Inc., Bolton and Boston, Massachusetts. Before leaving New England in 1997, she had the great pleasure of directing the cataloguing project of the Folk Art Collection of Nine Fletcher and Bertram K. Little at Cogswell’s Grant, Essex, Massachusetts for the Society of the Preservation of New England Antiquities, now Historic New England. Ms. Cain joined the cast of the popular PBS series Antiques Roadshow in Season 19.
Growing up in Grosse Pointe, Michigan, she was greatly influenced by the rich collections of American paintings, furniture, and decorative arts held by Greenfield Village and the Henry Ford Museum. She notes her good fortune of working in our two great “attic states:” Massachusetts and Pennsylvania. Each Commonwealth has tremendous inventory of historic material, great institutions, and citizens who treasure their inherited and collected items. Cain appears on the television Antiques Roadshow as an appraiser of decorative and folk arts.

For the Love of Barnes: The Collection of Dr. Richard J. Wattenmaker

Figure with White Cap

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