Jean Hugo

(French, 1894-984)

Le Peintre dans son Atelier (Autoportrait), 1918

pencil on paper

signed 'Jean Hugo,' dated and located 'Gondrecourt' bottom left

Sheet size: 15 1/4 x 10 1/8 in. (38.7 x 25.7cm)

The Collection of Dr. Richard J. and Eva Wattenmaker, Philadelphia

This lot is located in Philadelphia.

Exhibited:

"Jean Hugo: Dessins des Années de Guerre (1915-1919," Musée National de la Coopération Franco-Américaine, Blérancourt, October 16, 1994-January 30, 1995, no. 38.

Literature:

Jean Hugo: Dessins des Années de Guerre (1915-1919), an exhibition catalogue, Réunion des Musées Nationaux, Paris, and Actes Sud, Arles, 1994, p. 17 and 77, no. 38 (illustrated twice) as Autoportrait.

Note:

Other versions of this drawing can be found in the artist's original sketchbook, some of which include (or cut out) the clock, the fireplace etc.

In overall fine condition. The sheet is laid down to the undermat along its top outer edge, without any sign of hinges. The sheet, itself brittle, is rather flimsy and wrinkly, mostly due to the medium and the light sheet itself. Specifically, we notice a semi-diagonal old fold at upper right, running down on about 6 in. Another one in the bottom right corner (about 2 in). A smaller one (1 in.) at upper left corner. Minor fold at bottom left, spreading into the left of the bottom center. We also notice a small and thin crease running horizontally along the center of the work, which indicates the work was likely folded at some point in the past. Minor traces of surface soiling along the extreme edges of the sheet (likely from handling), and associated toning (light). The center left outer edge is deckled, which is a sign the work was likely torn from a sketchbook. Minor rubbing along the top outer edge at upper right, most likely due to the overmat or old mounting. The verso presents well, with a red stain at bottom left. See Specialist's pictures for more details.
Frame: 25 1/4 x 16 3/4 x 3/4 in.

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Please email [email protected] for any additional information or questions you may have regarding this lot.

Raphaël Chatroux

VP, Head of Department, Impressionist & Modern Art

[email protected]267.414.1253

Raphaël Chatroux is the Head of Department for Freeman's Impressionist & Modern Art.

Chatroux joined Freeman’s in 2016 as a Fine Art department intern. Later that year, he was the Samuel M. Freeman II Fellowship recipient and was promoted to cataloguer. Since his arrival, he has developed an expertise for a wide range of American and European art. He worked closely with Chairman Alasdair Nichol on the successful sales of The Collections of Heidi Bigham Stott in 2020 and The Peltz Collection of Pennsylvania Impressionists in 2021. Chatroux is associated with recent world records obtained for artists Cecilia Beaux, Emma Fordyce McRae, and Bo Bartlett. He was also instrumental in the acquisition of a Berthe Morisot oil painting by the Musée Marmottan Monet in Paris. As a native of France, Chatroux has worked in various art centers in Paris including Hôtel Drouot, where he oversaw auctions of fine wine and good spirits and the Palace of Versailles, where he conceived and curated several bilingual audio-guide tours. Chatroux graduated from Paris-Sorbonne University with a degree in art history; he also holds a master’s degree in art law.

Lynda Cain

VP, Head of Department, American Furniture, Folk and Decorative Arts

[email protected]267.414.1237

Lynda Cain serves as a Vice President of Freeman's and is the Head of Department for American Furniture, Folk and Decorative Arts.
She specializes in American furniture and decorative arts, Native American art, American folk art, and Pennsylvania furniture and decorative arts.
Cain joined Freeman's in 2001 as the company's first American furniture and decorative arts specialist. She began her career in American Decorative Arts as assistant curator at the Detroit Historical Museum. In 1984 she became curator of costume at the Detroit Historical Museum. In 1986, she relocated to Cambridge, Massachusetts and switched from museum work when she joined the American Furniture and Decorative Art Department at Skinner Inc., Bolton and Boston, Massachusetts. Before leaving New England in 1997, she had the great pleasure of directing the cataloguing project of the Folk Art Collection of Nine Fletcher and Bertram K. Little at Cogswell’s Grant, Essex, Massachusetts for the Society of the Preservation of New England Antiquities, now Historic New England. Ms. Cain joined the cast of the popular PBS series Antiques Roadshow in Season 19.
Growing up in Grosse Pointe, Michigan, she was greatly influenced by the rich collections of American paintings, furniture, and decorative arts held by Greenfield Village and the Henry Ford Museum. She notes her good fortune of working in our two great “attic states:” Massachusetts and Pennsylvania. Each Commonwealth has tremendous inventory of historic material, great institutions, and citizens who treasure their inherited and collected items. Cain appears on the television Antiques Roadshow as an appraiser of decorative and folk arts.

For the Love of Barnes: The Collection of Dr. Richard J. Wattenmaker

Le Peintre dans son Atelier (Autoportrait), 1918

For the Love of Barnes: The Collection of Dr. Richard J. Wattenmaker

Le Peintre dans son Atelier (Autoportrait), 1918

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