Elizabeth E. Copeland

(America, 1866–1957)

Exceptional box, c. 1920

silver, cloisonné enamel, amethyst

raised signature to underside ‘EC'

3½ h × 5¼ w × 4½ d in (9 × 13 × 11 cm)

Property from the Estate of James G. Hansen at Fetcher House, Winnetka, Illinois

This lot is located in Chicago.

Ira Simon, Chicago, August 28, 2009

Note

The Fetcher House in Winnetka, Illinois was designed by local architect Augustus Higginson and built in 1901 for Edwin S. Fechheimer (who later changed his last name to Fetcher). Higginson was a Winnetka resident and member of the Chicago Arts and Crafts Society at Hull House and was therefore the ideal architect to design Fetcher’s home in the desired Arts and Crafts style. In April 1905, The House Beautiful featured the home, praising the architecture and interior design as “simple, sincere, and unpretentious.” [1]

Over the following century, there were several additions and renovations to the home as it passed through three owners before James Hansen purchased it in 1979. Hansen was a passionate and knowledgeable collector, who valued and preserved the history of The Fetcher House. As an artist and industrial designer himself, he had a deep appreciation for the Arts and Crafts movement for its creation of beautiful, functional objects made from natural materials as a reaction against mass production.

Hansen built his collection to fit the style of the home including striking examples of works by important early 20th century makers such as Tiffany Studios, Roycroft, Stickley, and Grueby, as well as Chicago metalsmiths Robert Jarvie and Jessie Preston. Freeman’s | Hindman is honored to present this eclectic and inspired collection in our Early 20th Century Design auction on May 20, 2025 and Artist and Artisan: Fetcher House and the Collection of James G. Hansen auction on June 6, 2025.

[1] Robie, Virginia, “A Bachelor’s Cottage in the Country,” The House Beautiful (April 1905), 30-31.

In overall good and ready to place condition. All elements of the enamel are present and appear un-cracked. Minor flaking on the outer edge of the blue rim of the enamel and likely inherent to the material. There are no breaks, dents, scratches or repairs evident. Very minor surface scratches to the underside are consistent with age and placement. When examined under black light some clear enamel varnish appears on the silver, which is believed to be part of the original fabrication. No cracks or perceived repairs under black light to the enamel. Please see or request additional images.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email [email protected] for any additional information or questions you may have regarding this lot.

Roger Ward

Vice President, Head of Department, Design

[email protected]312.447.3280

Ward brings over 20 years of deep and wide-ranging design experience to this role. Before joining Freeman’s, he worked in the Design department of a prominent New York-based auction house focused on in 20th-century furniture and design with a particular interest in European furniture from the second half of the 20th century. He also co-owned and operated Full Circle Modern, a successful vintage design store in Brooklyn specializing in furniture from the 1960s through the 1980s.

Mr. Ward also has a broad background in real estate, as an appraiser, broker, rehabber, and investor.

"I feel fortunate to have the opportunity to enter an already robust Design program with Freeman’s. In the coming years, I look forward to expanding this legacy by continuing to feature Design auctions in Chicago and Philadelphia. We will be looking to curate future auctions based on our existing strengths in 20th-century design by building our presence in the contemporary Design space and strengthening the offerings that explore the connections of Fine Art and Design by introducing present-day artists to the market," commented Roger Ward.

Early 20th Century Design

Exceptional box, c. 1920

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