Thomas Sully (1783-1872), Portrait Of Elizabeth Neagle

Completed In 1867

stretcher verso retaining label typed, "Thomas Sully Portrait given/ to Tania Bailey, 5/10/77, her 50th birthday, by her parents; currently on loan to HRH and DSH," oil on canvas, framed.

21 x 17 inches (sight), 26 x 22 inches (frame).

Provenance:

Thence by descent in the family to the present consignor.

Note:

Elizabeth Neagle was the daughter of painter John Neagle (1796-1865), who was mentored by Thomas Sully (1783-1872).

This portrait is recorded as, "Portrait painted for her brother, Garrett C. Neagle. Portrait begun April 12th, 1867, finished April 20th, 1867...," in Edward Biddle and Mantle Fielding, The Life and Works of Thomas Sully (1783-1872) (Philadelphia, 1921), no. 1306, pg. 238.

lined, the lining has a rectangular cut -out near lower center revealing section of original canvas and the inscription,"TS" and "1867." Area of paint loss with small tear/ puncture to upper central ground above sitter. Minor scattered areas of retouch to background. To the left of sitter -a horizontal line of small "dots' of inpainting to ground continues into sitter's hair . Very minute paint loss in same location. The ground retains several brush hairs under paint. The frame engraved "Yates" on verso.

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Lynda Cain serves as a Vice President of Freeman's and is the Head of Department for American Furniture, Folk and Decorative Arts.
She specializes in American furniture and decorative arts, Native American art, American folk art, and Pennsylvania furniture and decorative arts.
Cain joined Freeman's in 2001 as the company's first American furniture and decorative arts specialist. She began her career in American Decorative Arts as assistant curator at the Detroit Historical Museum. In 1984 she became curator of costume at the Detroit Historical Museum. In 1986, she relocated to Cambridge, Massachusetts and switched from museum work when she joined the American Furniture and Decorative Art Department at Skinner Inc., Bolton and Boston, Massachusetts. Before leaving New England in 1997, she had the great pleasure of directing the cataloguing project of the Folk Art Collection of Nine Fletcher and Bertram K. Little at Cogswell’s Grant, Essex, Massachusetts for the Society of the Preservation of New England Antiquities, now Historic New England. Ms. Cain joined the cast of the popular PBS series Antiques Roadshow in Season 19.
Growing up in Grosse Pointe, Michigan, she was greatly influenced by the rich collections of American paintings, furniture, and decorative arts held by Greenfield Village and the Henry Ford Museum. She notes her good fortune of working in our two great “attic states:” Massachusetts and Pennsylvania. Each Commonwealth has tremendous inventory of historic material, great institutions, and citizens who treasure their inherited and collected items. Cain appears on the television Antiques Roadshow as an appraiser of decorative and folk arts.

American Furniture, Folk and Decorative Arts

Thomas Sully (1783-1872), Portrait Of Elizabeth Neagle

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