Sale 6384
| Philadelphia
| Philadelphia
Estimate$80,000 – $120,000
Provenance:
The Artist.
Acquired directly from the above.
John Suster, Newcomb-Macklin Company, Chicago, Illinois.
DeVille Galleries, Los Angeles, California, c. 1983-84.
Acquired directly from the above.
Private Collection, California.
Private Collection, by descent.
Godel & Co., New York, New York.
Spanierman Gallery, New York, New York, October 2001.
Plymouth Meeting Gallery, Plymouth Meeting, Pennsylvania.
Acquired directly from the above.
Exhibited:
Philadelphia, Philadelphia Art Alliance, "Daniel Garber," 1918, no. 21.
Doylestown, Michener Art Museum, "Earth, River and Light: Masterworks of Pennsylvania Impressionism," September 21, 2002 – December 29, 2002.
Literature:
Artist's Record Book I, p. 19, line 13.
Artist's Record Book II, p. 106 (entry struck).
Artist's Record Book II, p. 107.
Lance Humphries, Daniel Garber: Catalogue Raisonné, Hollis Taggart Galleries, New York, 2006. vol. II, p. 138, no. P 387, illustrated.
Lot Note:
In Frog Hollow, Garber's characteristic delicate touch and carefully rendered dab-like brushwork is on full display, though largely in the upper portion of the painting. In the lower portion of the painting, he has instead opted to employ a looser, less tightly controlled approach, using long, single blue and pale-yellow brushstrokes in the foreground to depict the local autumnal ground cover. This square-sized composition employs the Pennsylvania Impressionist's characteristic brown, green, and blue tonalities–the latter most evident in parts of the stream and the gentleman's pants at left as he attends to a wood pile. Though Garber once described his landscapes as having "a mass of detail in the mass," the overall effect of the present work is one of a poetic quietude. Interestingly only one other painting of Frog Hollow has appeared at auction (Freeman's, Philadelphia, December 2002).
Framed: 40 x 40 in.
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Adam Veil
VP, Head of Department, American Art and Pennsylvania Impressionists