John F. Carlson

(American/Swedish, 1874/75-1945)

The Source, c. 1924

oil on canvas

signed John F. Carlson (lower right)

60 1/8 x 50 1/8 in.

Housed in its original Newcomb-Macklin frame.

Provenance:

The Artist.

Collection of Judge Simpson (possibly Judge Alexander Simpson, Pennsylvania), 1926.

Private Collection, c. 1930s.

Private Collection, New Hampshire, by descent.

Vose Galleries, Boston, Massachusetts, 2018-2019 (inventory no. 37050).

Private Collection and Trust, New Hampshire, 2019-2024.

Private Collection.

Exhibited:

New York, National Academy of Design, "99th Annual Exhibition," March 22 –

April 20, 1924, no. 264 (as The Source).

Philadelphia, Pennsylvania Academy of the Fine Arts, "121st Annual Exhibition," January 31 – March 21, 1926, no. 64 (as The Source), illustrated.

Framed: 65 1/4 x 55 1/4 in.

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December 1st-6th, 10am-5pm
December 7th by appointment

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Adam Veil

VP, Head of Department, American Art and Pennsylvania Impressionists

[email protected]267.414.1221

Adam Veil serves as Vice President and a Fine Art Specialist at Freeman’s.

Veil joined Freeman’s in 2021 following years of experience in both the auction world and the academy. His area of specialization is pre-WWII American Art, although he has lectured and published on topics ranging from Mexican landscape painting and Old Master printmaking to art market economics.

Veil earned a Bachelor of Arts and Master of Arts in art history from Penn State University and pursued doctoral studies at Indiana University Bloomington. Prior to joining Freeman’s, Veil was Head of Fine Art at a Washington, D.C.-area auction house, and Executive Director of the Santa Fe Art Auction, where he oversaw market-setting auctions of classical and contemporary Western, Southwestern, and California art. He has also held positions in provenance research, art fair operations, and as editor and producer of The Conversation, a popular Los Angeles–based contemporary art podcast. Concurrent with his role at Freeman’s, Veil is a professor at Mansfield University of Pennsylvania, where he teaches courses in Renaissance, Modern, and American art history.

American Art and Pennsylvania Impressionists

The Source, c. 1924

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