Camp Rosemary: The Estate of Posy Krehbiel, Part I

Provenance:

Galerie Perrin, Paris, 1996 (with image of invoice)

Note:

Camp Rosemary, as it is affectionately known by the family who have been its stewards since 1988, comprises nearly nine acres of awe-inspiring gardens and a classically proportioned red brick Georgian house designed in 1904 by Benjamin Marshall for John Taylor Pirie (1871-1940) and his wife Sophie Skirving Hunter (1872-1966). At the time, Marshall engaged Bostonian landscape architect Rose Standish Nichols to design the estate’s formal gardens. Today, the house and gardens are a culmination of thirty years of collaboration between Posy Krehbiel, her family, a dedicated team of workers, architects, designers, and distinguished gardeners.

Posy Krehbiel, a renowned philanthropist, artist, athlete, world traveler, and avid gardener, cultivated an extraordinary life at Camp Rosemary. Beginning with renovations by Chicago architect Thomas Beeby, Kirsten Beeby, and later working with Imogen Taylor of Colefax and Fowler—the leading arbiters of English country house taste—Posy and John Krehbiel preserved and enhanced their historic property, a treasured stalwart of Lake Forest heritage. With a thoughtful eye for preservation and a keen sense of taste, Posy and John breathed new life into the home, expanding its footprint through the addition of a delightfully ornamental swimming pool folly with a Dutch-inspired gable rising over an open terrace. The pool house’s interiors, on the other hand, are inspired by classical Swedish rooms, with trompe l’oeil painted murals. A destructive fire in 1995 ruined part of the garage wing and the apartment above it, providing an opportunity to build a conservatory and with it an adjoining guest house. And on and on, creating a stylish, comfortable, and unpretentious residence, as well as perhaps the finest private garden in North America.

Throughout Posy’s home’s collection, the connection to the garden is profound. Botanical upholstery, framed specimens, and leaf-form ceramics are pervasive. Eighteenth century English and Continental furniture complete the country house idyll. Now, the thousands of enthusiasts who followed Posy Krehbiel through her garden gate can acquire one of many objects in which her vibrant, joyful essence is palpable. 

Photos of Camp Rosemary by Tom Rossiter.

The white marble top is a modern replacement in good condition with negligible scratches and surface wear. The table is very sturdy and in presentable condition overall, but with some large areas of lost gilt, flaking gilt and flaking gesso, with exposed wood. The white paint has been refreshed in some areas. The lattice decoration at the back of the base is likely a modern addition. Perhaps it originally had mirror at the back.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.

Please email [email protected] for any additional information or questions you may have regarding this lot.