Sale 993
| Cincinnati
| Cincinnati
Estimate$10,000 – $15,000
Catherine Sickles (circa 1778-1855) married American naval commander Isaac Chauncey (1772-1840) around 1794. The couple lived in Fairfield, Connecticut and had three children, Charles W. Chauncey, John S. Chauncey, and Peter S. Chauncey. Isaac Chauncey served during the Franco-American War, both Barbary Wars, and the War of 1812, where he famously commanded all naval forces on both Lake Ontario and Lake Erie. Following his accomplishments on the Great Lakes, Isaac was named commodore and was given command of the New York navy yards.
Around 1818, Gilbert Stuart painted a distinguished portrait of Isaac on panel, and he likely executed this portrait of Catherine at the same time. Isaac’s portrait was given to Secretary of the Navy Robert Smith, thence to the Lyceum of the Brooklyn, New York Navy Yard in 1842. It was later transferred to the U.S. Naval Academy in Annapolis, Maryland, as discussed in Lawrence Park’s Gilbert Stuart: An Illustrated Descriptive List of his Works, Vol. 1 (1926, New York), number 150, page 229. Catherine’s portrait, by contrast, remained in the family, passing from her son Peter Schermerhorn Chauncey (1810-1866) to his daughter Augusta Chauncey Anderson (1835-1919) and then to her son, Peter Chauncey Anderson (1868-1933). Peter’s two surviving children, Elbert Chauncey Anderson (1903-1941) and Olive Yale Anderson Wood (1907-1987), inherited the painting and shared in its ownership. While in their possession, Catherine’s portrait was exhibited twice, first at the Union Club in 1934 and again at the Newport, Rhode Island gallery of M. Knoedler & Company in 1936.
To request further details about this lot, please email [email protected]

Leah Vogelpohl
AVP, Specialist, American Furniture, Folk, and Decorative Arts
Ms. Vogelpohl joined the firm in 2013 as a cataloger in the American and European Furniture and Decorative Arts department. She became a department specialist in 2017, focusing on American decorative arts and silver. She received a BA from the College of Charleston and an MLITT in Art History from the University of Glasgow.
The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Freeman's staff are provided as a convenience and may be requested from the Department prior to bidding.
The absence of a posted condition report on the Freeman's website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Freeman's.
Please email for any additional information or questions you may have regarding this lot.