Sale 6380
| Philadelphia
| Philadelphia
Estimate$60,000 – $80,000
Provenance:
Frost & Reed, Ltd., London
Acquired directly from the above by the present owner in 1983.
Literature:
John Ruskin, Academy Notes 1875, Art Journal, 1875.
Illustrated London News, 22nd May, 1875, p. 487.
Robert Chignel, The Life and Paintings of Vicat Cole, R.A., 1896, vol. I, pp. 114-119, ill. p. 117.
Exhibited:
London, Royal Academy, 1875, no. 237, p. 14.
Lot Essay:
While monumental in size - the present painting is the largest work by Cole to appear at auction in decades - A View of Richmond Hill possesses details and subtleties, along with an unmistakable British bucolic quality not always present in the Portsmouth painter's smaller canvases. The present painting was executed in 1875 and it was exhibited at the Royal Academy. In the present work, Cole depicts figures enjoying the panoramic view from Terrace Walk, highlighted by an elegant woman holding a parasol, with other figures both strolling and seated along the Walk with the Thames winding from the midground to the background behind a line of trees.
Remarkably, the artist had no formal training save for what he learned from his father, the painter George Cole, yet his paintings were exhibited by the Royal Academy - (as was the present painting) - when he was only 20 years old. The famed British essayist and critic John Ruskin, who preached the "truth to nature" principle in which he championed artists to paint the natural world thought highly enough of A View of Richmond Hill, to write about it in his 1875 Academy Notes.
Framed: 62 x 96 in.
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