Edward Willis Redfield

(American, 1869-1965)

Frosty Morning, 1933

oil on canvas

signed E. W. REDFIELD. (lower right); also signed, titled, and dated (stretcher)

32 1/8 x 40 1/8 in.

This painting will be included in the forthcoming Catalogue Raisonne of Edward Redfield's work being compiled by Dr. Thomas Folk.

Housed in a hand-carved, signed Bernard Badura frame.

Provenance:

The Artist.

The Estate of the Artist (#129).

Newman Galleries, Philadelphia, Pennsylvania.

Private Collection.

Sotheby's, New York, Sale of April 16, 2014, Lot 76.

Acquired directly from the above sale.

Private Collection, Connecticut.

Literature:

James W. Fletcher, Edward Redfield: An American Impressionist 1869-1965, vol. I, Lahaska, Pennsylvania, 2002, p. 163, no 256, listed, not illustrated.

Framed: 36 3/4 x 44 1/2 in.

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Adam Veil serves as Vice President and a Fine Art Specialist at Freeman’s.

Veil joined Freeman’s in 2021 following years of experience in both the auction world and the academy. His area of specialization is pre-WWII American Art, although he has lectured and published on topics ranging from Mexican landscape painting and Old Master printmaking to art market economics.

Veil earned a Bachelor of Arts and Master of Arts in art history from Penn State University and pursued doctoral studies at Indiana University Bloomington. Prior to joining Freeman’s, Veil was Head of Fine Art at a Washington, D.C.-area auction house, and Executive Director of the Santa Fe Art Auction, where he oversaw market-setting auctions of classical and contemporary Western, Southwestern, and California art. He has also held positions in provenance research, art fair operations, and as editor and producer of The Conversation, a popular Los Angeles–based contemporary art podcast. Concurrent with his role at Freeman’s, Veil is a professor at Mansfield University of Pennsylvania, where he teaches courses in Renaissance, Modern, and American art history.

American Art and Pennsylvania Impressionists

Frosty Morning, 1933

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