Press & Announcements
Read the latest press coverage & announcements about Freeman's.
Read the latest press coverage & announcements about Freeman's.
Freeman's announces that Aaron Cator has joined the firm as Senior Specialist of Post War & Contemporary Art, expanding the team of experts in the firm’s recently launched New York office. Cator will lead the development of Hindman’s Fine Art presence in New York and the greater Northeast region.
CHICAGO – Hindman announces that it will present property from the impressive Indianapolis estate, Linden House, this April and May. Built by Christel DeHaan, a collector, businesswoman and philanthropist, the house is the culmination of her lifelong passion for the arts. The collection of furniture, decorative arts and fine art to be offered was thoughtfully developed to complement and enhance the home. DeHaan cofounded Resort Condominiums International and is celebrated for her significant contributions to the travel and tourism industry. In addition to her many accomplishments, DeHaan founded Christel House International, a global children’s charity committed to breaking the cycle of poverty and transforming the lives of children. Designed by Bunny Williams and David Ellison, the 41,000 square foot property features 61 rooms and is surrounded by formal gardens, terraces and immaculate landscaping. Located on a private 35-acre lake at the site of what was formerly the location of a Benedictine Monastery, the home featured a strong selection of 18th through 21st century furniture and fine art. The property sold for $14.5 million, a record for the highest selling property in Indiana’s history, in September 2022. RH (formerly Restoration Hardware) is planning to open their newest gallery there. “The Linden House collection is a stunning example of how to seamlessly integrate history and modernity. The house’s historic objects and contemporary accents are in harmony with its works of art and splendid gardens,” commented Corbin Horn, Hindman Vice President and Senior Specialist of European Furniture & Decorative Arts. “We expect collectors across categories and around the world to be inspired by the house’s architecture as well as the vision of the homeowner and designer.” The collection will be offered across three sales: the April 13th European Furniture & Decorative Arts auction, the May 18th European Art auction, and the May 19th American Art auction. Fine Art | May 18 -19 Works by renowned French and Italian artists will be offered in the May 18th European Art auction, including Gustave Loiseau and Charles Amable Lenoir. Highlighting the selection will be Loiseau’s 1905 oil on canvas Le quai du Pothuis à Pontoise (estimate: $80,000-120,000). Loiseau is viewed as one of the foremost Post-Impressionist painters, and this painting is a superb example of the artist’s gently diffusive light as it reflects off the flowing water. Gustave Loiseau | Le quai du Pothuis à Pontoise | Estimate: $80,000-120,000 In the May 19th American Art auction, Louis Ritman’s Meditation (estimate: $15,000-25,000), Ivan Gregorewitch Olinsky’s Young Woman Against a Tapestry (estimate: $8,000-10,000), and Daniel Gerhartz’s The Bride (estimate: $7,000-9,000) are highlights. European Furniture & Decorative Arts | April 13 Notable lots in the April auction will include a selection of Italian, French and German designs. Highlights include a pair of German Neoclassical mahogany and parcel-gilt commodes (estimate: $6,000-8,000), an Italian Rococo giltwood and etched glass mirror (estimate: $6,000-8,000), and a pair of empire style gilt and patinated bronze six light figural candelabra (estimate: $5,000-7,000). German Neoclassical Mahogany and Parcel-Gilt Commodes | Estimate: $6,000-8,000 How to Bid Bidding for all auctions will begin at 10am CT and will be available in-person at Hindman’s Chicago saleroom, via absentee bid and telephone, and online via Hindman’s Digital Bid Room. Featured image & additional Linden House images: Courtesy of Sotheby’s Realty and The Home Aesthetic, Indianapolis
CHICAGO – Hindman’s inaugural Jewelry Through the Ages auction explores jewelry trends and their evolution. Across more than 600 lots from the 1st millennium BC to the 21st century, bidders will have the opportunity to acquire wearable pieces from a range of cultures. “As our first auction to showcase jewelry from ancient to modern times, we are excited to offer bidders a chance to journey through the ages to discover the development of jewelry and the timeless trends we still see in fashion today,” commented Jacob Coley, Hindman Director and Senior Specialist of Antiquities. Ancient to Neoclassical | March 21 As the world’s oldest art form, ancient wearable jewelry and engraved gems reveal past cultures and civilizations and shed light on our collective history. The first day of the sale will feature Byzantine, Roman, Greek, and Neoclassical style jewelry. The auction will kick off with wearable beaded necklaces from the Ancient Near East and scarab swivel rings from Egypt. Often used for spiritual or religious rituals, the sale will offer amulets worn for protection against evil spirits, charms worn for fertility, and magic gems worn for good luck. Lot 8 | An Egyptian Gold and Steatite Scarab Swivel Ring Estimate: $800 - $1,200 From 3000-500 BC, jewelry became more ornate and was a critical element of indicating status within society. Mesopotamian jewelry featured elaborate cylinder seals with scenes depicting gods and goddesses, while Egyptian pieces featured hieroglyphs and symbols associated with their gods. Engraved gems—also known as cameos and intaglios—were highly sought-after during this period. Typically made from minerals such as agate or quartz, these pieces were often carved with intricate designs featuring figures from mythology or scenes from literature. These gems often adorn rings or brooches while others were simply kept as collector’s items. Lot 36 | A Greek Gold Finger Ring with Armed Hoplite Estimate: $5,000 - $7,000 Lot 48 | A Hellenistic Gold and Sardonyx Cameo Finger Ring with the God Dionysos Estimate: $7,000 - $9,000 Lot 167 | A Neoclassical Gold and Carved Carnelian Conch Shell Cameo of Medusa Brooch Estimate: $800 - $1,200 Neoclassical pieces to be offered spotlight the influence of Greco-Roman culture. This time saw a renewed interest in Roman culture due to the Italian campaigns by Napolean Bonaparte against Italy in 1796, and the 1798 war between France and Egypt. This led to an increased usage of Egyptian motifs such as sphinxes, pyramids, palmets, papyrus leaves and scarabs. Georgian to Modern | March 22 Day two of the auction will span Georgian to Modern, displaying the development of jewelry across Georgian, Victorian, Art Nouveau, Edwardian, Art Deco, Retro, and mid-century to modern jewelry. Lot 45 | Georgian, Convertible Diamond Earrings Estimate: $800- $1,200 Georgian jewelry, referring to jewelry made in United Kingdom during the reign of the four King Georges, featured silver-topped gold pieces. This was a popular style because the silver tarnish would not rub off on clothing due to the gold. An example are these convertible diamond earrings: Moving into the Victorian Era, the gem cutting techniques started advancing, reflected in the colorful floral pieces the young Queen Victoria favored. Throughout her period of mourning, which the Queen remained in the rest of her life, the jewelry of the late Victorian era is darker and more somber to display the monarch’s grieving. Lot 7 | Victorian, Rose Gold and Enamel Buckle Bangle Bracelet Estimate: $600-$800 Victorian, Diamond and Emerald Four Leaf Clover Brooch Estimate: $1,500- $2,500 Unique jewelry featuring floral inspiration and whimsical lines characteristic of the Art Nouveau period is also highlighted. Evoking images of Parisian subway entrances and spring, this era broke away from the more formal angles of past time periods. Lot 51 | French, Art Nouveau, Enamel and Pearl Brooch Estimate: $300 - $500 La Belle Époque “the beautiful age,” as it was known in France is part of the Edwardian era, is when some of the greatest pieces of European royal collections were made. It is considered the last golden era of the monarchies of Europe after the turn of the century and before World War I. Lot 74 | Edwardian, Diamond and Enamel Brooch Estimate: $600-$800 Entering into the Art Deco era taking place after World War II, we see the re-emergence larger diamond and colored stone pieces, such as the below jade and diamond brooch by Bailey, Banks & Biddle. This era is a very distinct time in jewelry design and has influenced much of today’s styles. This era was also inspired by the discovery of King Tut’s tomb – influencing art, architecture, and jewelry. Use of carved gemstones also saw new life as discoveries in the East were brought to Europe and America. Lot 93 | Bailey, Banks & Biddle, Art Deco, Jade, Diamond and Enamel Brooch Estimate: $1,000 - $2,000 A return to war meant that platinum was rationed, thus ushering in the Retro era during and post-World War II, known for its use of gold and rose gold. As more and more people looked to Hollywood as the new royalty of the world, the Retro style was seen on covers of Hollywood and fashion magazines. Lot 132 | Cartier, Retro, Sapphire and Diamond Clip Brooch Estimate: $1,000 - $2,000 From mid-century to modern jewelry, the style of the previous time periods come back into style and roll out with each new generation. Through the rise of new jewelers in the 50s, such as Harry Winston and Oscar Heyman, creating glamorous diamond pieces, and then the increase of bold gold pieces of the 60s and 70s, it is clear the styles of today are ever-changing. Lot 205 | Oscar Heyman, Yellow Gold And Diamond Ring Estimate: $800 - $1,200 Lot 317 | Elizabeth Locke, Yellow Gold, Cultured Pearl, Ruby and Glass Cameo Earclips Estimate: $800 - $1,200 How to Bid Bidding for both days of the auction will begin at 10am CT and will be available online through Hindman’s Digital Bid Room. Additional information on each day of the sale can be found here: Day I (Ancient to Neoclassical) and Day II (Georgian to Modern).
NEW YORK OFFICE CONTINUES TO EXPAND FOLLOWING LAUNCH LAST FALL NEW YORK – Hindman, a leading national fine art auction house with a global buyer base, announces Caroline Baker Smith has joined the firm as Senior Director of Trusts, Estates & Private Clients in its New York office. In partnership with Gemma Sudlow, Managing Director of the New York Region, Smith will work closely with Hindman’s four additional salerooms throughout the country – Chicago, Palm Beach, Cincinnati, and Denver – and the Boston office to expand the firm's presence throughout the Northeast. Smith’s appointment follows Hindman’s recent expansion into New York, a key growth market for important estates and private collections. With over a decade of auction industry experience, Smith brings significant trusts and estates experience to Hindman’s growing New York office. A Cornell University graduate, Smith comes to Hindman from Christie’s where she served as Vice President, Business Development Manager of Trusts, Estates and Appraisals. Smith also brings substantial experience overseeing high-value appraisal projects for top clients and estates and developing relationships with high-net-worth private clients, institutions and museums. Smith spearheaded Christie’s partnership with Bennington College’s Art for Access fundraising initiative, beginning with the inaugural auction in 2018. The program provides a unique model for supporting scholarships by inviting gifts of artwork to be sold at auction to benefit students who would not otherwise be able to attend the college. In addition to collaborating with Hindman’s 16 offices across the country, Smith will work with Tim Luke, National Managing Director of Appraisals and Valuations, and the rest of the Appraisals division. Since committing more resources in 2021, Hindman has seen a steady increase in its appraisals business, and in 2022 launched Hindman Appraisals as a dedicated entity that can leverage the Hindman network of expertise to give independent and impartial appraisals. On average, Hindman appraises $500 million in assets and handles more than 200 annual appraisals yearly. “I am proud to join Hindman at such a significant time of growth and following the most successful year for the company in 2022,” commented Smith. “I am truly delighted to provide new appraisal and consignment solutions to the New York market and am eager to demonstrate Hindman’s dedication to offering unique collections across a range of estimates.” “We are excited to announce Caroline’s appointment. Her business development acumen serves to strengthen Hindman’s burgeoning presence in the Northeast,” shared Gemma Sudlow. “As we open doors for the first time this spring season in the historic arts district of Chelsea at High Line Nine, I look forward to partnering with Caroline to develop our clients, consignments, appraisals and engagement in the New York region and beyond.” A calendar of upcoming live and online auctions can be viewed here.
NEW YORK – Hindman announces its first series of New York exhibitions and events at the High Line Nine Galleries, in advance of the firm launching a permanent location. The national fine art auction house will preview highlights from major collections this spring, across Post-War & Contemporary Art, European Art, Asian Art, Jewelry & Watches, and more at the Chelsea gallery. “We are excited to open our doors for the first time since establishing a New York presence in the historic arts district of Chelsea” commented Gemma Sudlow, Hindman Managing Director, New York Region. “The extraordinary estate of Susann Craig, a passionate outsider art collector and a founder of Chicago’s Intuit Art Center connects beautifully with New York’s annual Outsider Art Fair. We are also delighted to be previewing highlights from significant Asian Art collections during Asia Week, and spotlighting our Important Jewelry auction in April.” Hindman will preview highlights from the following spring auctions, as well as additional selections from marquee sales: March 2-5 | Roadside Attractions: The Susann Craig Collection, Chicago, IL in conjunction with The Outsider Art Fair | The personal collection of esteemed outsider art collector Susann Craig (1936-2021), which occupied her Chicago loft designed by Jeanne Gang, will be presented. A champion of boundless creativity and a founder of Intuit: The Center for Intuitive and Outsider Art in Chicago, Craig’s legacy cannot be understated. A portion of the remitted proceeds of the March 9th auction will benefit Intuit. Additional information can be found here. Hindman is pleased to be sponsoring the Outsider Art Fair, and a selection of works from the collection will be available for preview on the fair’s digital platform. Susann Craig’s collection at her Chicago loft designed by Jeanne Gang March 16-18 | Asian Art | Several important private collections from Hindman’s March Asian Art Sales will be previewed. Highlights include early 20th Century works by Wu Changshuo, Huang Junbi, Pu Ru and Zhao Shao’Ang from the Estate of Diplomat Cheng Boa Nan; Chinese Ming-Qing Dynasty porcelains from the Estate of Makoto Sakurai as well as Chinese Ming-Qing Dynasty jade carvings from a New York collection. A Gilt Decorated Robin’s Egg Glazed Porcelain Figure of Guanyin. Qing Dynasty (1644-1912). Estimate: $15,000 – 25,000 |Ji Yingzhao (Chinese, 19th Century), Cats. Estimate: $2,000 – 4,000 April 27 | Important Jewelry | A timeless selection of sophisticated jewelry will highlight Hindman’s May 16th Important Jewelry auction, offering designs for every level of collector. The sale will feature Art Deco pieces by Cartier, as well as jewelry by Tiffany & Co., David Webb, Jean Mahie, and others. Multiple abstract brooches from the well-known Tadema Gallery will also be featured. Cartier, Art Deco, Platinum and Diamond Bracelet. Estimate: $30,000-50,000 Throughout March & April | Beginning March 2, highlights from Hindman's spring Post-War & Contemporary Art, Prints & Multiples, American Art, and European Art auctions will also be on view. All previews: Tuesday-Friday, 10:00am-6:00pm & Saturday, 12:00-6:00pm High Line Nine Galleries | 507 West 27th Street, Gallery 1 | New York, NY 10001 The pop-up will mark Hindman’s first major series of exhibitions in New York, and follows the recent announcement of Hindman expanding into Manhattan, with the firm to launch a full-service saleroom. The firm’s entrance into the New York market highlights its commitment to fulfilling growing demand within the tristate area. The new Manhattan location will include a full-service auction room – Hindman’s fifth overall – creating another major sales hub for the company to supplement its Chicago, Palm Beach, Denver, and Cincinnati salerooms. With the recent addition of new offices in Boston and Miami, plus a new auction room and exhibition space planned for Manhattan, Hindman is now present in 16 cities across the country focused on the mainstay of the auction market: core collectible property at a range of estimates. Additional information can be found at HighLineNine.org and HindmanAuctions.com. Featured Image: High Line Nine Galleries. Image Courtesy of High Line Nine.
Three Days of Live and Online Auctions to Feature English and Continental Furniture from Interiors Designed by Imogen Taylor and Colin Orchard Chicago – Hindman announces a suite of sales featuring property from the private collection of the late Fred A. Krehbiel and his wife Kay Krehbiel as a highlight of its Spring 2023 season. The collection debuts with programming and events in New York during the Winter Show from January 20-29, followed by three days of live and online sales in Chicago and Palm Beach, March 15-17. With more than 700 lots, the multi-day sale exemplifies the Krehbiels’ connoisseurship across collecting categories and their legacy of historic preservation. Krehbiel, together with his wife Kay, amassed an impressive collection of fine English furniture, porcelain, silver and works of art, acquired from leading dealers around the world. The Krehbiels worked closely with interior designers Imogen Taylor and Colin Orchard (both of whom worked at the renowned Anglo-American design firm founded by Sibyl Colefax & John Fowler) to decorate their Chicago and Palm Beach homes. The Chicago project marked the beginning of Taylor’s and Orchard’s 30-year working relationship with the Krehbiels, including decorating their Ireland home, as well as consulting on the restoration of Ballyfin, an important Irish country house and demesne of circa 1820. Krehbiel was the former CEO of Lisle-based company, Molex, and transformed the company into a global organization with locations in over 40 countries. Alongside building the company, his international vision was reflected in the refinement of his homes in Chicago, Palm Beach and Ballyfin – now a hotel that has garnered international recognition and media attention. “Our parents had a passion for discovering treasures wherever they went. While they both had different approaches and interests when it came to collecting – Dad was most focused on furniture, while Mother loved porcelain – they both were equally eager to learn about extraordinary objects,” shared Jay and Liam Krehbiel, sons of Fred and Kay Krehbiel. “It’s a pleasure to know that these objects, and their stories, will be finding new homes.” “The Krehbiel Collection is remarkable in its quality and diversity,” commented Corbin Horn, Vice President & Senior Specialist for European Furniture & Decorative Arts. “The collection presents rare furniture and objects from nearly every historical design movement. Working with this collection has been a memorable experience, and it has offered us the opportunity to engage with number of different scholarship categories.” Highlights in Part I of the auction include a significant group of furniture attributed to Thomas Chippendale, including a pair of George III carved giltwood armchairs (lot 57; estimate: $50,000-70,000) and a carved mahogany settee (lot 53; estimate: $20,000-30,000). A pair of giltwood pier mirrors in the manner of Thomas Johnson (lot 75; estimate: $30,000-50,000) makes up another noteworthy lot. A Cartier Crystal, Aventurine and Moonstone Lily of the Valley Flower Study (lot 19; estimate: $10,000-15,000) is a rare example that reflects the craftmanship that the jeweler has become celebrated for, as well as a critical point when Cartier ascended to the highest standards of craftmanship following the closure of the House of Fabergé during the Russian Revolution. Auction Dates: Part I | March 15, 10am CT | Chicago Part II | March 16, 10am ET | Palm Beach Part III | March 17, 10am CT | Online-Only Additional information about the auction can be found online here, and the digital catalogue can be viewed here. Bidding for the March 15th and 16th auctions will be available in-person and online via Hindman’s Digital Bid Room. Bidding for the March 17th auction will be available online via the Digital Bid Room.
21-Lot Single-Owner Sale at Hindman Doubles Estimate & Cements Firm’s Leadership in the Category CHICAGO – On September 28, Laura and Gary Maurer’s renowned collection of paintings by the late Chicago Surrealist artist Gertrude Abercrombie realized more than $2.8 million in total. With a captivated crowd packed into Hindman’s West Loop headquarters, bidders were ready to eagerly compete for the widest offering of Abercrombie paintings to ever come to market from the most distinguished collectors of her work. Remarkable prices were achieved for works that exemplified this hometown heroine’s wit and talent. “As I stepped onto the podium, the energy in the room was undeniable,” commented Hindman Vice President and Senior Specialist for Fine Art Joe Stanfield. “The opportunity to present a collection as significant as the Maurers’ was truly amazing, and the extraordinary response and results reflect how carefully it was curated.” Over the past decade, the genius of Abercrombie’s work has been discovered, and Chicago-based collectors Laura and Gary Maurer’s collection was the most impressive display of her talent. Emerging as the top lot of the sale was the supernatural self-portrait Self and Cat (Possims) (lot 14), which sold for $375,000. Celebrated for her self-portraits, this painting is exemplary of Abercrombie’s magical world, with her beloved cat Possim positioned as an important character. “It was pure magic to work with such a charmed collection and such charming collectors,” commented Zack Wirsum, Hindman Director and Senior Specialist for Post-War & Contemporary Art. “Sharing Gertrude’s unique vision with so many new eyes is what auction dreams are made of.” Emerging as the second top performer of the day was Abercrombie’s 1949 Self-Imprisonment (lot 10), which sold for an incredibly strong price of $281,250. This painting conveys the artist’s feelings of isolation and self-doubt that show up continuously throughout her body of work. Abercrombie scholar Susan Weininger notes that it is “a powerful statement about how one’s internal deficiencies can limit external actions.” Bidders were clearly struck by the work and drove the price up to far above its $60,000-80,000 estimate. Reflecting a similar theme of insecurity, Abercrombie’s witty Blue Screen from 1945 (lot 8) grabbed the attention of bidders, ultimately realizing $225,000 against a $50,000-70,000 estimate. Strong prices were also achieved for Abercrombie’s beloved cats, owls and winding paths. Owl and Tornado (lot 16) sold for $187,500, more than four times its presale estimate, and her Siamese Cat (lot 17) also sold for $187,500, well above its $15,000-25,000 estimate. Highlighting the offering of landscapes was Abercrombie’s somber Visit at Midnight (Road Leading Home) (lot 3), which sold for 162,500, more than double its presale estimate. Alone (The Stroll) (lot 6) was another highlight which far surpassed its $30,000-50,000 estimate to sell for $150,000. Bidding for the September 28th auction was available in-person at Hindman’s Chicago saleroom, via absentee bid, telephone and online via Hindman’s Digital Bid Room and additional online bidding platforms. Additional information about the collection and auction results can be found here. Featured image: Gertrude Abercrombie. Self-Imprisonment, 1949. Price Realized: $281,250
CHICAGO – Early Egyptian artifacts, sculpture and Roman portrait heads led Hindman’s May 26th Antiquities & Ancient Art: A Study auction to $1,531,063, the highest total for an Antiquities auction at the firm. Bidders from 22 countries and 33 states participated in the sale. A quintessential Egyptian Gilt Cartonnage Mummy Mask emerged as the top lot (lot 35), selling for $175,000 against a presale estimate of $50,000-60,000 and leading an incredibly strong selection of Ancient Egyptian artifacts. “Last week’s bidders came as far as Asia and as close as Lake Street in Chicago,” shared Hindman’s Director and Specialist for Antiquities and Pre-Columbian Art Jacob Coley. “We are delighted to see how both new and established collectors are responding to the department’s offerings, and how all categories – Egyptian, Near Eastern, Jewelry and Greco-Roman – saw passionate bidding in the auction.” Ancient Egyptian Artifacts Egyptian artifacts saw enthusiastic bidding, led by a well-preserved Egyptian Gilt Cartonnage Mummy Mask (lot 35). Following the discovery of the intact tomb of the Pharaoh Tutankhamun, the best-preserved pharaonic tomb ever found in the Valley of the Kings, Egyptomania became a phenomenon across Europe and the United States. The stylized facial features of this exquisite sarcophagus mask share similar traits with the mask of the Pharaoh, most notably the gold face, calcite eyes and lapis lazuli-colored inlays. Elaborately decorated with two images of Osiris, a winged scarab and hieroglyphic inscription, this iconic mummy mask is emblematic of our modern-day fascination with the land of the ancient pharaohs and Nile River. Lot 29 | An Egyptian Bronze Cat. Late Period to Ptolemaic Period, 664-30 B.C. Price Realized: $125,000 Additional Egyptian standouts were a bronze cat (lot 29), which doubled its estimate to realized $125,000. Cast in bronze, this impressive and dignified looking cat is depicted in a conventional seated position. In ancient Egypt, the cat personified Bastet, the goddess of fertility, pleasure and good health. Lot 21 | An Egyptian Faience Female Figure. Middle Kingdom, 12th Dynasty, 1991-1783 B.C. Price Realized: $107,500 A premiere example of a Faience Female Figure (lot 21) that has been displayed at the Cincinnati Art Museum and Brooklyn Museum of Art sold for $107,500 against a presale estimate of $70,000 – $90,000. Highlights also included a Limestone Relief (lot 47), which realized $56,250, more than tripling its presale estimate, and an incredibly realistic appearing Alabaster Head of a Jackal (lot 49), which sold for $43,750. Lot 49 | An Egyptian Alabaster Head of a Jackal. Late Period, 26th-30th Dynasty, 664-525 B.C. Price Realized: $43,750 Roman Portrait Heads and Additional Greco-Roman Highlights Objects from ancient Greco-Roman cultures were also among outstanding performers, most notably Roman marble portrait heads. A Marble Portrait Head of Antisthenes (lot 163) sold for $100,000, while a Head of a Ram (lot 106) climbed well pasts its $8,000-12,000 estimate to achieve $34,375. Rams were important symbols of strength and virility in Ancient Rome. A Portrait Head (lot 200) resembling the Emperor Caracalla exceeded its estimate, selling for $25,000. Cycladic sculptures also were extremely well received by bidders, such as two Marble Reclining Female Figures, which realized $81,250 and $31,250 (lots 108 and 110). Bidders are Dazzled by Ancient Jewelry A session of jewelry was led by a Western Asiatic Gold Bracelet with Lion-Headed Terminals (lot 79), which sold for $28,125 against a presale estimate of $10,000 – $15,000. Additional jewelry highlights included a Roman Red Jasper Ring Stone of a Nude Sculptor (lot 89), which sold for $12,500 against a presale estimate of $3,000-5,000, and an Egyptian Faience Scarab Swivel Ring (lot 80) that skyrocketed past its presale estimate of $2,000-$3,000 to sell for $11,875. Bidding for the May 26th Antiquities and Ancient Art: A Study auction was available in-person, via phone and online via Hindman’s Digital Bid Room and additional online bidding platforms. Full auction results can be viewed here. Hindman continues to welcome consignments for its November Antiquities auction. Featured Image: An Egyptian Gilt Cartonnage Mummy Mask. Ptolemaic Period, 304-30 B.C. Price Realized: $175,000
CINCINNATI – Hindman Auctions is honored to present Native American Art: The Lifetime Collection of Forrest Fenn on June 9. A prominent Santa Fe, New Mexico dealer and collector, Fenn became internationally recognized for his hidden treasure. The collection exemplifies both a lifetime of passion for Native American art, while also demonstrating Fenn’s enthusiasm for discovery and history. Just as he enjoyed creating puzzles for others to ponder, he also found joy in uncovering and musing about his own treasures. This will be the first of two auctions offering selections from Fenn’s personal Native American art collection, with the second to be presented in the fall of 2022. Fenn began collecting at a young age, exploring the plains of Texas and the mountains of Montana searching for arrowheads. After retiring from the Air Force, Fenn established Arrowsmith-Fenn Gallery, among the first galleries in Santa Fe, with his partner Rex Arrowsmith, which eventually became Fenn Gallery. The gallery became incredibly successful, offering a range of Native American art such as artifacts, paintings, and bronze sculptures, and attracting legendary names. The gallery was also known for championing the then almost-forgotten Taos School of Southwestern artists. Following his recovery from cancer, he went on to write a memoir titled The Thrill of the Chase in 2010 in which he mentions a treasure he hid somewhere in the Rocky Mountains. “Fenn’s Treasure” took hold with the public and media and the playful memoir became a legendary hunt for the riches by outdoor enthusiasts and treasure-seekers alike. The treasure was found shortly before Fenn’s death in 2020. “We are proud to be presenting this truly renowned collection from a man who has left his mark on the collecting community with his enthusiasm and playfulness for the objects and the industry,” shared Hindman’s Vice President for Native American Art Danica Farnand. “Fenn was a celebrated figure within both the Native American and Western Art collecting worlds, and the auction offers bidders a unique opportunity to acquire works from a fabled collector.” Auction Highlights Lot 380 | 19th Century Sioux Grizzly Bear Claw Necklace | Estimate: $40,000 – $60,000 Highlighting this 168-lot auction will be a significant collection of impressive pottery and baskets, many in uniquely impressive sizes. Rare photography, dolls, beadwork, and Plains material will also be offered. Top lots include a 19th Century Sioux Grizzly Bear Claw Necklace (lot 380; estimate: $40,000 – $60,000). “I was in awe of the impressive array of huge Pueblo storage jars lining shelves 20 feet above the floor of Fenn’s den in his Santa Fe home,” said Wes Cowan, Hindman Vice Chair. “Beadwork from various Plains tribes filled two entire walls, and a table displayed a collection of rare Plains dolls. The collection spilled over to the floor, under tables, and over doorways.” Photographs Lot 301 | 19 significant images of the Kwahadi Comanche leader Quanah Parker | Estimate: $10,000-15,000 The auction includes a selection of rare photographs, with the majority taken by the firm of William J. Lenny and William L. Sawyers who operated a photo studio in Purcell, Oklahoma in the late 1880s and early 1890s. It is thought that Fenn acquired many of these images from the estate of famed Western painter Joseph Henry Sharp. A group of 19 significant images of the Kwahadi Comanche leader Quanah Parker (lot 301; estimate $10,000-15,000) who emerged as a war leader in the early 1870s and became one of the best known Native American leaders of the 19th and early 20th centuries will also be offered. Pueblo Pottery Fenn was noted for his collection of Pueblo pottery and this portion of the auction is expected to draw significant interest. Among the highlights are a number of monumentally sized storage jars including a pair of Large Cochiti Pottery Storage Jars (lots 444 & 445; estimate for each: $20,000 – $30,000) from 1860, measuring in 18-1/2 inches in height by 20 inches in diameter and 18-1/2 inches in height by 19 inches in diameter. Dolls & Beadwork Lot 351 | Rare Wasco or Yakima Beaded Pictorial Hide Doll Cradle, with Doll | Estimate: $15,000-25,000 Fenn authored Historic American Indian Dolls and a number of examples from this publication are offered in the sale. A Rare Wasco or Yakima Beaded Pictorial Hide Doll Cradle, with Doll (lot 351; estimate: $15,000 – $25,000), a pair of Cheyenne Beaded Hide Dolls from 1890 (lot 321; estimate: $8,000- $10,000) and a 19th Century Western Apache Beaded Hide Doll (lot 317; estimate: $5,000-7,000) are expected to see intense competition among bidders. Fenn was also widely known for his collection of Southern Plains beaded strike-a-lite pouches, and the sale includes some of his most sought-after examples. Other beaded items include an impressive selection of moccasins, knife sheaths, pouches and tobacco bags. A pair of Kiowa Beaded Hide Leggings from the studio of Western artist Henry Balink (lot 307; estimate: $5,000-7,000) is among the standouts in the category. How to Bid Bidding for the June 9th auction will begin at 10am ET, and will be available in-person at Hindman’s new Cincinnati salesroom located on Oaklawn Drive, via telephone and online via Hindman’s Digital Bid Room and additional online bidding platforms. Additional information can be found via the website page and the catalogue.
CHICAGO – Hindman’s May 25th Modern Design auction will offer a dynamic selection of works spanning the 20th and 21st centuries, highlighted by a striking selection of Philip and Kelvin LaVerne furniture and a rare pair of double-sided screens by Piero Fornasetti. Contemporary and experimental designs by Tejo Remy and Niels van Eijk for Droog, John Chamberlain and Dan Johnson are also compelling offerings. Philip and Kelvin LaVerne Designs Highlighting the offering of Philip and Kelvin LaVerne designs will be a ‘Chan’ Cabinet (lot 104; estimate: $25,000-35,000), which is a rare form that seldom comes to market. The pair became celebrated for their artistic bronze pieces that merge groundbreaking metalwork techniques and traditional motifs. Other works by the duo include an ‘Etruscan’ Center Table (lot 99; estimate: $6,000 – $8,000) and a pair of coffee tables (lot 100 and 103; estimate for both: $4,000-6,000). Lot 104 | Philip and Kelvin LaVerne. ‘Chan’ Cabinet. LaVerne Collection, USA. Estimate: $25,000 – $35,000 Piero Fornasetti Screens A pair of screens by Italian painter and designer Piero Fornasetti are among lots that are expected to be highly sought after. Very few examples of the ‘Portico con Paesaggio’ (Portico with Landscape) screen (lot 106; estimate: $8,000 – $12,000) exist and only around ten examples of the Angolo di Spogliatoio Dressing Room Corner were produced between the 1950s and 1960s. The ‘Città di Carte’ / ‘Farfalle’ Folding Screen (lot 105; estimate: $8,000 – $12,000) from 1960 is Fornasetti’s most famous screen design and only forty pieces were produced between 1950s and 1970s. Both screens are from the Collection of Lynne Rosenbaum, Truro, Massachusetts. Lot 105 | Piero Fornasetti. ‘Città di Carte’ / ‘Farfalle’ Folding Screen, c. 1960. Fornasetti Milano, Italy. Estimate: $8,000 – $12,000 Contemporary & Experimental Design Lot 140 | Tejo Remy. Pair of ‘Rag’ Chairs, c. 199. Droog, Netherland. Estimate: $4,000 – $6,000 Boundary-pushing works that will be offered include a Pair of ‘Rag’ Chairs (lot 140; estimate: $4,000 – $6,000) by Dutch product and interior designer Tejo Remy for Droog, as well as Niels van Eijk’s ‘Cow’ Chair (lot 142; estimate: $2,000-3,000). One of Droog’s most iconic designs, Remy’s ‘Rag’ Chairs were often crafted using old clothes that have been sent in and are then constructed into a chair that is held with metal straps. Lot 142 | Niels van Eijk. ‘Cow’ Chair, c. 1997. Droog, Netherlands. Estimate: $2,000-3,000 Contemporary standouts will also include John Chamberlain’s Couch from 1970 (lot 139; estimate: $5,000 – $7,000) and Dan Johnson’s ‘Gazelle’ Side Chair (lot 133; estimate: $3,000 – $5,000). Known for his awe-inspiring abstract sculptures, Chamberlain also made his sofas by hand upon commission until the early 1970s. Lot 139 | John Chamberlain. Couch, c. 1970. Estimate: $5,000 – $7,000 Additional Highlights Top lots also include works by French luminaries Pierre Chapo and Guillerme et Chambron along with an array of exceptional studio pottery by Jun Kaneko, Claude Conover, Peter Voulkos, Karen Karnes, Emmanuel Cooper, and Colin Pearson. An important suite of Don Reitz clay works from the Estate of Robert and Ruth Vogele will also be featured. How to Bid Bidding for the May 25th auction will be available in-person, via telephone, online via the Digital Bid Room and additional online bidding platforms. Additional information about the auction can be found via the auction page. Featured Image: Piero Fornasetti. ‘Portico con Paesaggio’ / ‘Angolo di Spogliatoio’ Folding Screen, c. 1956. Estimate: $8,000 – $12,000
Sale Sets New House Record for a Fine Art Auction Total CHICAGO – Works by Ed Clark, John Craxton and Gertrude Abercrombie led Hindman Auctions’ May 11th Post War & Contemporary Art auction to a $4,491,375 million total, a house record for a Fine Art sale and more than doubling its presale estimate. “We knew the top lots by current market darlings would have strong interest, but it was beyond refreshing to see the prime examples at every price point receiving enthusiastic engagement and aggressive participation,” shared Zack Wirsum, Hindman’s Director and Senior Specialist for Post War & Contemporary Art. “In addition to hitting a major milestone with the sale achieving the highest result for a fine art sale in the history of the company, it was also great to see people raising paddles live in the auction room again, which contributed to the vibrance of the day.” Ed Clark Creation Achieves Second Highest Price Ever for the Artist Ed Clark’s 2006 acrylic on canvas Creation (lot 65) sold for $740,000 against a presale estimate of $150,000-250,000, the second highest price ever achieved for the artist. The seminal late career work saw competitive phone and online bidding that propelled this exceptional painting to an almost record price. Clark’s work has seen intense market interest over the past few years, which led to the work being the most highly watched lot leading into the auction. A majestic and colorful abstract, Creation is an active visual statement of Clark’s transformative painterly vision and his lifelong commitment to literally pushing the language of mark making into new territory. Clark’s deep understanding of color, physicality of paint movement, expression of perceived light and raw creative innovation collide in this powerful work, and bidders clearly recognized the magnitude of this explosive master work. John Craxton’s Still Life with Three Sailors John Craxton’s esoteric and marvelous Cretan taverna scene Still Life with Three Sailors (lot 18) saw heated international bidding, resulting in the work skyrocketing past its presale estimate of $150,000- $250,000 to achieve $400,000, ultimately selling to an overseas bidder. This painting is considered by many to be among Craxton’s more significant works, including the artist himself who declared it one of his best in correspondence with the owner. 2022 being the centennial of Craxton’s birth with a yearlong exhibition celebration the artist underway in Athens also contributed to the success of this contemporary reimagining of a Byzantine Icon’s Holy Trinity as idle sailors at leisure. Lot 18 | Still Life with Three Sailors, 1982 -1987 | Price Realized: $400,000 Gertrude Abercrombie Works Four works by Chicago’s Queen of the Bohemians, Gertrude Abercrombie also soared past their estimates, with the group selling for a collective $925,000. Hindman has demonstrated significant strength in offering works by this hometown heroine, and this result for the quartet continued the momentum following the firm’s record-setting sale of the artist’s 1964 work The Dinosaur for $387,500 in February. Emerging as the top lot of the group was Abercrombie’s Toddy, Possim and Christine (lot 118), an oil on masonite from 1954, selling for $337,500 against a presale estimate of $50,000 – $70,000. Abercrombie is known for creating surreal biographical dream world in her works with repeating talismans including cats, shells, doors, owls, eggs, trees and eerie figures. Stylized portraits of cats owned by Abercrombie compose this quirky vignette, their individual personalities represented by clouds floating over each feline, a dark storm cloud above sourpuss Christine. The smallest of the Abercrombie offerings Untitled (For Dizzy Gillespie) (lot 119) sold for $150,000 against an estimate of $7,000-9,000. A wonderfully miniature work measuring 1 3/4 x 2 inches that was originally gifted to jazz icon and friend Dizzy Gillespie, this sale price reflects among the highest amounts achieved per square inch for a painting. Hindman is looking forward to continuing this market dominance in September, and please stay tuned for an exciting Gertrude Abercrombie announcement soon. Lot 118 | Gertrude Abercrombie | Toddy, Possim and Christine, 1954 | Price Realized: $337,500 Additional auction results can be viewed here.
CHICAGO – On May 3 and 4, Hindman Auctions’ Fine Books & Manuscripts sales realized more than $1.4 million. The Library of Jack Charles Davis, sold to support charitable institutions, was presented on May 3, and was followed by the Fine Books & Manuscripts, Including Americana auction on May 4. Lot 91 | Leon Battista Alberti. De re Aedificatoria. 1485. First Edition Of The First Printed Treatise On Archtecture Price Realized: $100,000 May 3 | The Library of Jack Charles Davis The Library of Jack Charles Davis sale doubled its expected estimate to achieve $718,750 across 424 lots, with works by Mark Twain and John Steinbeck emerging as the top lots. Attorney and philanthropist Jack Charles Davis was dedicated to promoting the economic and community development of his hometown, Lansing, Michigan. A collector at heart, Davis had deep interests in theater, existential philosophy, literature, architecture, art, history, and politics, each of which are reflected in his fine collection of books and manuscripts. Lot 79 | Samuel L. Clemens (“Mark Twain,” 1835-1910). The Adventures of Tom Sawyer. First American Edition, First Printing | Price Realized: $18,750 Bidders clearly saw the value in the collection, with the sale achieving an outstanding 98 percent sell-through rate. First editions of 19th and 20th century literature were among top performers, led by a first American edition, first printing of Mark Twain’s seminal The Adventures of Tom Sawyer from 1876 (lot 79), which sold for $18,750. Additional highlights included a first edition, first printing of John Steinbeck’s Cup of Gold (lot 288) which realized $18,750, against a presale estimate of $5,000-7,000; a first edition of T.S. Eliot’s The Waste Land (lot 114), which soared past its estimate of $2,000-3,000 to achieve $17,500; and a first American edition of Ernest Hemingway’s In Our Time (Lot 178), which was Hemingway’s agent Curtis Brown’s copy, and sold for $17,500 compared to an estimate of $10,000-15,000. Lot 178 | Ernest Hemingway. In Our Time. New York: Boni & Liveright, 1925. First American Edition, Hemingway’s Agent’s Copy | Price Realized: $17,500 May 4 | Fine Books & Manuscripts, Including Americana The Fine Books & Manuscripts, Including Americana auction realized $687,663 across 313 lots, with especially strong results achieved for printed Americana. Leading the Fine Printed Books & Manuscripts session of the May 4th auction was the first edition of the first printed work on architecture, Leon Battista Alberti’s 1485 De re aedificatoria (lot 91), which realized $100,000. Alberti, architect of several important Renaissance buildings, began work on his treatise in the middle of the 15th century, and this incunable edition of his work was published by his brother after his death. Lot 329 | John James Audubon. Hooping Crane (Plate CCXXVI), Grus Americana | Price Realized: $56,250 The Americana session saw competitive bidding throughout, continuing to be a strong category for the department, and achieving notable results for a fine selection of John James Audubon engravings, nearly all of which were consigned by a Palm Beach collector and accounted for seven of the 15 highest prices of the auction. The Hooping Crane (lot 329) was the highlight of the collection, selling for $56,250, more than five times its presale estimate. A group of early maps of Virginia also brought strong results, with a copy of Captain John Smith’s important map of Virginia, published circa 1625 (lot 377) bringing $25,000, well above its estimate. Lot 377 | Captain John Smith. Virginia. [London ca 1625] | Price Realized: $25,000 “Competitive bidding in both auctions led to robust results in terms of both prices realized and sell-through rates and are evidence of a very strong market,” shared Gretchen Hause, Hindman’s Vice President and Senior Specialist of Book and Manuscripts. “In particular, we are incredibly proud to have had the opportunity to work on the sale of the Jack Charles Davis collection, the proceeds of which will fund community-based charitable giving, long a passion of Davis and his wife, Susan.” Overall, the two auctions had a combined 95 percent sell-through. Bidding for the auctions was available in-person, via telephone, online via Hindman’s Digital Bid Room and additional online bidding platforms. All auction results for the May 3rd auction can be viewed here and for the May 4th auction here. Future Books & Manuscripts Auctions The Books & Manuscripts Department is looking forward to two American Historical Ephemera & Photography auctions this June in Cincinnati. On June 22, the department will offer American Historical Ephemera & Photography, featuring the Civil War and American Militaria Collection of Bruce B. Hermann. An online-only sale of American Historical Ephemera & Photography will be offered from June 17 to 28. The next Fine Printed Books & Manuscripts, Including Americana auction will be held on November 8 and 9 in Chicago.
CHICAGO – An assortment of colored gemstone rings will be offered in Hindman’s May 17th Important Jewelry auction, highlighted by a rare 10.14 carat Padparadscha Sapphire, Pink Diamond and Diamond Ring. With a wide array of emerald, sapphire and ruby rings also included, this sale is ideal for anyone looking to elevate a collection with a sophisticated statement piece. Highly sought-after designers such as Cartier, Harry Winston, Oscar Heyman, Tiffany & Co. and Van Cleef & Arpels will also be reflected in the offering. Padparadscha Sapphire, Pink Diamond and Diamond Ring A Padparadscha Sapphire, Pink Diamond and Diamond Ring (lot 220; estimate: $35,000 – $55,000) is among the exquisite lots. “Padparadscha” means lotus blossom, and these orangey pink sapphires are an uncommon type with their exceptionally distinctive color. Although these sapphires have been in-demand among jewelry collectors for some time, the gemstone has been more visible with notable figures such as Princess Eugenie receiving one as her engagement ring center stone. Emerald and Sapphire Rings & Brooches Lot 238 | Harry Winston, Jacques Timey, Colombian Emerald and Diamond Pendant/Brooch | Estimate: $35,000 – $55,000 A selection of emerald and sapphire jewelry will also be featured. The star lot of the group will be an Emerald and Diamond Pendant/Brooch, by Jacques Timey for Harry Winston (lot 238; estimate: $35,000 – $55,000) with a 7.30 carat Columbian emerald. Additional noteworthy offerings include an Antique, Diamond and Emerald ‘Toi Et Moi’ Ring (lot 26; estimate: $25,000- $35,000) and an impressive 22 carat Colombian Emerald and Diamond Ring (lot 110; estimate: $30,000 – $50,000). Lot 223 | Burmese Sapphire and Diamond Ring | Estimate: $40,000 – $60,000 Several sapphire rings will also be offered, highlighted by a Burmese Sapphire and Diamond Ring (lot 223; estimate: $40,000- $60,000). A Sapphire and Diamond Ring with a 10.12 carat sapphire (lot 83; $30,000 – $50,000), a Cartier, Sapphire and Diamond Ring (lot 197; estimate: $30,000- $50,00), a Sapphire and Diamond Ring by F.J. Cooper with a 7.42 carat sapphire (lot 234; estimate: $10,000- $20,000) and an Unheated Kashmir Sapphire and Diamond Ring (lot 279; estimate: $10,000 – $20,000) are also notable lots. Diamond Rings Lot 262 & 263 | Diamond Rings | Estimates: $150,000-200,000 and $90,000-110,000 Eye-catching diamond rings will also be among sale standouts. Two diamond rings, one round brilliant cut and one emerald cut, are among top highlights (lot 262 and 263; estimates: $150,000-200,000 and $90,000-110,000). Additional Top Lots Lot 198 | Oscar Heyman, Diamond and Colored Diamond Bib Necklace | Estimate: $80,000 – $120,000 The top lots of the auction include an Oscar Heyman, Diamond and Colored Diamond Bib Necklace (lot 198; estimate: $80,000 – $120,00) and a matching bracelet (lot 199; estimate: $25,000-35,000). A Colored Diamond and Diamond Necklace (lot 219; estimate: $70,000 – $100,000) and a Cartier Art Deco, Coral and Diamond ‘Flower in Hand’ Brooch (lot 35; estimate: $25,000 – $30,000) are also special offerings. How to Bid Bidding for the May 17th Important Jewelry auction will begin at 10am CT, and will be available in-person, via phone, and online via Hindman’s Digital Bid Room, and additional online bidding platforms. Additional information about the auction can be found via the website page and the catalogue.
CHICAGO – Hindman’s May 12th Prints & Multiples auction will include a remarkable session of modern and contemporary master prints. David Hockney’s Lithograph of Water Made of Lines (lot 77; estimate: $50,000-70,000), from his most sought-after series of prints, was created at the pinnacle of his print making career and serves as an anchor to the session that heavily features American and British Pop Art. Lot 77 | David Hockney, Lithograph of Water Made of Lines, 1978-1980. Estimate: $50,000 – $70,000 Dorothea Lange’s iconic photograph Migrant Mother, Nipomo California, 1936 (lot 179; estimate: $50,000-70,000) will be the focal point of the photography session. Among the most recognized images in the history of photography, this work has been reproduced countlessly, but only recently has the real story of this famous image come to light, inspiring everything from History Channel specials to museum exhibitions attempting to unravel the mystery of the seemingly simple image. Lot 179 | Dorothea Lange, Migrant Mother, Nipomo California, 1936. Estimate: $50,000 – $70,000 Additional highlights from the auction include prints by Jasper Johns, Andy Warhol, Frank Stella, Robert Motherwell, Helen Frankenthaler, Jackson Pollock, Louise Nevelson, Francis Bacon, Alex Katz, and Roy Lichtenstein. Significant collections to be offered include property from the Estate of Richard Altermann, Santa Fe, New Mexico, The JFM Foundation Collection, Denver, Colorado, and The Estate of Leona Chanin. How to Bid: Bidding for the May 12th Prints & Multiples Auction will begin at 10am CT, and will be available in-person, via phone, and online via Hindman’s Digital Bid Room, and additional online bidding platforms. Additional information about the auction can be found via the website page.
CHICAGO – Property from the Collection of Richard D. Simmons (Alexandria, VA), the President and Chief Operating Officer of The Washington Post from 1981 to 1991, will highlight Hindman’s May 10th American and European Art auction. Simmons played an integral role in the development of the Post into one of the nation’s leading newspapers. Pierre-Auguste Renoir’s 1899 oil on canvas titled La Baie de Villefranche-sur-Mer, which will be offered with an estimate of $400,000-600,000, will headline the collection. This magical landscape is exemplary of Renoir’s work at the time, with its rapid brushstrokes and naturalistic representation of the coastline. The auction will offer over 100 paintings, works on paper and sculptures, with a strong selection of American and French Impressionist and Modernist works. Celebrated artists will include William Merritt Chase, Alfred Sisley, Robert Henri, Jasper Francis Cropsey, Montague Dawson, Wolf Kahn, Hale Woodruff, William Edouard Scott, Paul Klee and LeRoy Neiman. Pierre-Auguste Renoir’s La Baie de Villefranche-sur-Mer Lot 10 | Pierre-Auguste Renoir, La Baie de Villefranche-sur-Mer Lot 10 | Estimate: $400,000-600,000 La Baie de Villefranche-sur-Mer (lot 10) is a quintessential example of Renoir’s landscapes, which illustrates his passion for depicting the south of France. Renoir first traveled to the region in 1882, to visit fellow artist and friend Paul Cézanne in Aix-en-Provence. His discovery of the region and its surroundings – including further south towards the French Riviera –had a strong impact on the artist’s palette and led him to employing a new range of luminous color tones. In these later years, Renoir devoted himself increasingly to landscapes, including experimenting more when depicting the countryside which offered him a greater ability to improvise. With its expressive brushstrokes and sparkling color, La Baie de Villefranche-sur-Mer is suggestive of the artist’s fondness for the region. The sun-washed view is woven loosely together with variegated brushstrokes to form a colorful pattern, in which the clustered dwellings are overwhelmed by the sweeping sky and exuberant, untamed vegetation. The warm tone and radiant light beautifully capture the lush, serene environment. The present view is an evocative example of Renoir’s landscapes of the French Riviera and demonstrates Renoir’s mastery at capturing the subtleties of natural light, a central tenet of Impressionism. Lot 58 | William Merritt Chase, A Road to the Sea (Shinnecock Bay) | Estimate: $150,000-250,000 Additional works from the Simmons collection include William Merritt Chase’s A Road to the Sea (Shinnecock Bay) (lot 58; estimate: $150,000-250,000) and Alfred Sisley’s pastel on paper La Seine à Saint-Mammès (lot 11; estimate: $50,000-70,000). Executed in 1902, A Road to the Sea (Shinnecock Bay) is one of many depictions Chase made of the sand roads of the Long Island region and perfectly captures a summer day and the artist’s en plein air style. Also on full display is Chase’s commitment to documenting the environment exactly as it was experienced, from the curving road that invites the viewer into the scene to the movement of the clouds. Montague Dawson Paintings Lot 50 | Montague Dawson, Onward-The Norman Court | Estimate: $50,000-70,000 The admired maritime artist Montague Dawson will be spotlighted through four of his paintings, three of which are from the Collection of James and Patrice Schoonmaker (Naples, Florida). The selection will be led by Dawson’s Onward-The Norman Court (lot 50; estimate: $50,000- $70,000) and The Surrender (lot 51; estimate: $40,000 – $60,000). Wolf Kahn Works Lot 80 | Wolf Kahn, Dark Beaver Pond | Estimate: $30,000 – $50,000 Bidders will also have an opportunity to bid on a wide selection of works by German-born American artist Wolf Kahn, with eight brilliant works by the artist. The top lots of the group are Kahn’s Dark Beaver Pond (lot 80; estimate: $30,000 – $50,000) and Pink Sky (lot 81; estimate: $20,000-30,000), with all being consummate examples of Kahn’s vivid, abstract landscapes. Hale Woodruff, William Edouard Scott and William Thompson Goss Paintings Lot 91 | Hale Woodruff, Windblown Trees | Estimate: $30,000- $50,000 Works by distinguished African American artists Hale Woodruff, William Edouard Scott and William Thompson Goss will be offered towards the conclusion of the auction. Known for his bold figurative style and murals, Woodruff also created stunning landscape paintings such as Windblown Trees (lot 91; estimate: $30,000-50,000) and Classical Landscape (lot 92; estimate: $30,000-50,000). Another respected muralist who was also known for challenging the standard depictions of African American life in the beginning of the 20th Century, William Edouard Scott’s works are also among notable offerings, such as his Haitian Scene, 1952 (lot 96; estimate: $5,000 – $7,000). How to Bid Bidding for the auction will begin on May 10 at 10am CT, and will be available in-person, via phone, Hindman’s Digital Bid Room and additional online bidding platforms. Additional information about the auction can be found via the website page and the catalogue.
Works from the wareHOUSE, Atlanta and Remarkable Works by John Craxton and Ed Clark are also Expected to Draw Significant Attention CHICAGO – Hindman’s May 11th Post War & Contemporary Art auction will feature two prominent deaccessions by Chicago Imagists Jim Nutt and Karl Wirsum from the Roger Brown Collection at the School of the Art Institute of Chicago (New Buffalo, Michigan), being sold to support The School of the Art Institute of Chicago (SAIC) Scholarship Fund. A distinguished Chicago Imagist himself, Brown bequeathed his estate to his beloved alma mater SAIC, to serve as invaluable resources to students, alumni and the greater public at large in perpetuity. In addition to the deaccessions from the Roger Brown Collection, works released from the uniquely specific personal collection of John and Sue Wieland also known as the wareHOUSE will be available. The Wieland’s began collecting in the mid-1980’s and their collection, which now includes works by more than 350 national and international artists in an extraordinary array of variations on the themes of residences, architecture and dwellings, is displayed in Atlanta’s Westside District, appropriately in a 27,000 square foot warehouse. Rounding out the offerings in the auction are exceptional examples by Jean Dubuffet, Roberto Matta, Stanley Whitney, Larry Poons, Jules Olitski, Alexander Calder, George Rickey, William Turnbull and Harry Bertoia. Following the record-setting sale at Hindman in February of Gertrude Abercrombie’s The Dinosaur, four more equally compelling paintings by the artist will be offered, including a charmingly miniature work that was originally gifted to jazz icon and friend Dizzy Gillespie. A Pair of Works from the New Buffalo, Michigan Roger Brown Collection, Sold to Support the School of the Art Institute of Chicago Scholarship Fund Lot 6 | Jim Nutt, Do you See Something?, 1985 | Estimate: $30,000 – $50,000 Roger Brown was not only a world-renowned artist, but also an avid collector of works by his fellow Chicago Imagists along with folk and indigenous art, textiles, decorative arts and other genres. The complete collection at the Veronda Pavilion and Roger Brown Studio and Guest House in New Buffalo, Michigan encompasses contemporary art, tribal sculpture and textiles, folk art and works by self-taught artists, as well as pieces by Brown himself (SAIC website). Lot 7 | Karl Wirsum | Any One? Ten Is!, 1979 | Estimate: $30,000 – $50,000 The leading highlight from the wareHOUSE consignment is Thomas Ruff’s Substrat 9 III (lot 62; estimate: $50,000-70,000), a prime example of the artist’s innovative and boundary pushing photography. Another noteworthy piece from the collection is AfriCOBRA founding member Wadsworth Jarrell’s vibrantly eye-catching Cookin’ N Smokin’ (lot 17; estimate: $30,000 – $50,000). Lot 62 | Thomas Ruff, Substrat 9 III, 2002-03 Estimate: $50,000 – $70,000 The top lots to be offered in the auction are British ex pat painter John Craxton’s iconic Creten taverna scene Still Life with Three Sailors (lot 18; estimate: $150,00-250,000) and Ed Clark’s Creation (lot 65; estimate: $150,000- $250,000), a powerfully physical abstract, painted with a push broom, by an artist, once overlooked and now highly in demand. Lot 18 | John Craxton, Still Life with Three Sailors, 1982-1987 | Estimate: $150,000 – $250,000 How to Bid: Bidding for the May 11th Post War & Contemporary Art auction will begin at 10am CT, and will be available in-person, via phone, and online via Hindman’s Digital Bid Room, and additional online bidding platforms. Additional information about the auction can be found via the website page and the catalogue.